05
Jun
It’s been nine years since director David Cronenberg made a new film (his last being the dark Hollywood satire Maps to the Stars), but it’s been even longer—going back to 1996’s Crash and 1999’s eXistenZ—since he has explored the themes that first put him on the map as a filmmaker: the transformation and/or evolution of the human body, often via violent technological or biological means. When his new film, Crimes of the Future, was announced, it already signaled to diehard Cronenberg fans that a possible return to those ideas was afoot: after all, this was also the title of his…